Written by 
williamcbigelow@gmail.com

SCREENWRITING
WORKSHOP

This is a course designed for writers looking to create screenplays, stage plays and teleplays for one-hour television shows.  Paramount in this effort, we will focus on an approach which is necessary in all dramatic writing -- the importance of conflict. How we define, create and develop interesting, unusual characters. How structure is the backbone of a dramatic piece, and how narrative drive and the understanding of the elements of the construction of a story are critical to any piece of dramatic writing. The course will include insights and address the specific individual demands inherent in the writing of screenplays, stage plays and one-hour television shows.  The individual requirements of each discipline will be addressed, as well as the specific look of each form of dramatic writing.  The instructor will arrange for individual, one-on-one sessions with each student above and beyond classroom instruction.    

We will delve into what makes for a compelling story; how precise, pointed characters will inform your story, and how the unexpected is expected in the drive of each and every story.

Beginners are welcome and have been an essential part of this workshop. I’ve seen people with little or no experience become really strong storytellers in a matter of weeks.
Workshop Facts & Stats


This workshop will be held on Fridays, from 2:00 pm to 4:00 pm, Eastern time.

The class will meet for a total of six consecutive weeks, then we’ll take a week off to decompress, then another workshop will start.

The fee for a block of six classes is $250.

Occasional scholarships will be offered.


Testimonial


I’ve been an Emmy Award winning writer and producer of film and television for over thirty years. I’ve worked on dozens of high profile projects, from television’s The Golden Girls to films such as Kingpin, Van Wilder II, and Analyze This. I’ve collaborated with lots of writers, and most have been underwhelming. Bill Bigelow is in the minority; he’s extremely good at his craft. 

Writing effectively for film and TV is an art that few practice well. A good script writer has to be pretty good at creating story, character and theme. Bill Bigelow is excellent at creating all three.

Teaching writing effectively is even harder. 
Bill is excellent at both.

Mort Nathan
Executive Producer, The Golden Girls




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  © William Coe Bigelow